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Minimal film : the cinematic world r...
~
Civaschi, Matteo.
Minimal film : the cinematic world reimagined through graphic design
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
the cinematic world reimagined through graphic design
作者:
CivaschiMatteo.,
出版地:
Milano, Italy
出版者:
Skira;
出版年:
c2018.
面頁冊數:
253 p.ill. (chiefly col.) : 34 cm.;
標題:
Motion pictures - Pictorial works. -
標題:
Motion pictures - Plots, themes, etc. -
標題:
Graphic arts. -
標題:
Civaschi - Matteo. -
附註:
A series of iconic representations describing movies in the briefest possible form.
摘要註:
'Minimal Film' is a book on film narrated through the visual magic of graphic design or a graphic design book told through the evocative magic of cinema. The goal of 'Minimal Film' lies in representing the emotion of cinema through extreme synthesis and simplicity of forms. Plus there's colour, which makes each illustration visually stunning and effective. For example: a white circle resting on a blue field is enough to portray the ball Wilson from 'Cast Away', while two white triangles perfectly perpendicular to a red field suffice to evoke 'Dracula'. From 'Game of Thrones' to 'Breaking Bad', even TV series, which have been elected to "prime-time" for Hollywood productions, are visually represented in the book.
ISBN:
9788857239675
Minimal film : the cinematic world reimagined through graphic design
Civaschi, Matteo.
Minimal film
: the cinematic world reimagined through graphic design / Matteo Civaschi. - Milano, Italy : Skira, c2018.. - 253 p. ; ill. (chiefly col.) ; 34 cm..
A series of iconic representations describing movies in the briefest possible form.At head of title: Shortology.Includes index..
ISBN 9788857239675ISBN 8857239675
Motion picturesMotion picturesGraphic arts. -- Pictorial works. -- Plots, themes, etc.
Minimal film : the cinematic world reimagined through graphic design
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'Minimal Film' is a book on film narrated through the visual magic of graphic design or a graphic design book told through the evocative magic of cinema. The goal of 'Minimal Film' lies in representing the emotion of cinema through extreme synthesis and simplicity of forms. Plus there's colour, which makes each illustration visually stunning and effective. For example: a white circle resting on a blue field is enough to portray the ball Wilson from 'Cast Away', while two white triangles perfectly perpendicular to a red field suffice to evoke 'Dracula'. From 'Game of Thrones' to 'Breaking Bad', even TV series, which have been elected to "prime-time" for Hollywood productions, are visually represented in the book.
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