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Costume in performance : materiality...

Barbieri, Donatella

Costume in performance : materiality, culture, and the body

紀錄類型:	書目-語言資料,印刷品 : 單行本
副題名:	materiality, culture, and the body
作者:	BarbieriDonatella,
出版地:	London
出版者:	Bloomsbury Academic;
出版年:	2017
面頁冊數:	xxv, 238 p.ill. (chiefly col.) : 26 cm.;
標題:	Costume - History -
附註:	Includes bibliographical references (p. [219]-228) and index
摘要註:	This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as wellas an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders Through it, we come to question the extent to which the material costume actually co-authors the performance itse
ISBN:	9781474236874

Costume in performance : materiality, culture, and the body
Barbieri, Donatella

Costume in performance : materiality, culture, and the body / Donatella Barbieri ; with a contribution from Melissa Trimingham - London : Bloomsbury Academic, 2017. - xxv, 238 p. ; ill. (chiefly col.) ; 26 cm..
Includes bibliographical references (p. [219]-228) and index.
ISBN 9781474236874
Costume -- History

Costume in performance : materiality, culture, and the body
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330 $a This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as wellas an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders Through it, we come to question the extent to which the material costume actually co-authors the performance itse
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