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Unwritten Poetry : song, performance...

Trudell, Scott A. (1980-)

Unwritten Poetry : song, performance, and media in early modern england

紀錄類型:	書目-語言資料,印刷品 : 單行本
副題名:	song, performance, and media in early modern england
作者:	TrudellScott A., 1980-
出版地:	Oxford
出版者:	Oxford University Press;
出版年:	2019
版本:	1st ed.
面頁冊數:	viii, 247 p.ill. : 24 cm.;
集叢名:	Oxford scholarship online
標題:	English poetry - History and criticism - Early modern, 1500-1700 -
標題:	Music and literature - England -
附註:	Includes bibliographical references and index
摘要註:	This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which - and by whom - its songs were made. In a literary field that was never confined to writing,media were not limited to material texts. The author argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study ofsong, the author outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history
ISBN:	9780198834663

Unwritten Poetry : song, performance, and media in early modern england
Trudell, Scott A.

Unwritten Poetry : song, performance, and media in early modern england / Scott A. Trudell - 1st ed.. - Oxford : Oxford University Press, 2019. - viii, 247 p. ; ill. ; 24 cm.. - (Oxford scholarship online).
Includes bibliographical references and index.
ISBN 9780198834663
English poetryMusic and literature -- History and criticism -- England -- Early modern, 1500-1700

Unwritten Poetry : song, performance, and media in early modern england
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330 $a This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which - and by whom - its songs were made. In a literary field that was never confined to writing,media were not limited to material texts. The author argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study ofsong, the author outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history
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