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The transformation of Athens : paint...
~
Osborne, Robin (1957-)
The transformation of Athens : painted pottery and the creation of classical Greece
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
painted pottery and the creation of classical Greece
作者:
OsborneRobin, 1957-
出版地:
Princeton
出版者:
Princeton University Press;
出版年:
c2018
面頁冊數:
xx, 285 p., [16] p. of platesill. (some col.) : 27 cm.;
集叢名:
Martin classical lectures
標題:
Vase-painting, Greek -
標題:
Vases, Red-figured - Greece -
附註:
Includes bibliographical references (p. 259-275) and index
摘要註:
"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-5th century BC are very different from those of the late 6th century. Did Greek potters have a different world to see - or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world."--Jacket flaps
ISBN:
978-0-691-17767-0
內容註:
The art of transformation Athenian pottery and Athenian culture Changing in the gymnasium Changing the guard Courting change Sacrificing change Drinking to and reveling in change The changing city of Satyrs Morality, politics, and aesthetics The road not taken The transformation of art
The transformation of Athens : painted pottery and the creation of classical Greece
Osborne, Robin
The transformation of Athens
: painted pottery and the creation of classical Greece / Robin Osborne - Princeton : Princeton University Press, c2018. - xx, 285 p., [16] p. of plates ; ill. (some col.) ; 27 cm.. - (Martin classical lectures).
The art of transformation.
Includes bibliographical references (p. 259-275) and index.
ISBN 978-0-691-17767-0
Vase-painting, GreekVases, Red-figured -- Greece
The transformation of Athens : painted pottery and the creation of classical Greece
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"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-5th century BC are very different from those of the late 6th century. Did Greek potters have a different world to see - or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world."--Jacket flaps
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