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Second sight : the paradox of vision...
~
Bowdoin College
Second sight : the paradox of vision in contemporary art
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
the paradox of vision in contemporary art
作者:
TaniEllen Y.,
其他作者:
CachiaAmanda,
其他團體作者:
Bowdoin College
出版地:
Brunswick, Maine
出版者:
Bowdoin College Museum of Art; Scala Arts & Heritage Publishers;
出版年:
2018
面頁冊數:
ix, 101 p.ill. (some col.), ports., photographs : 26 cm.;
標題:
Art, American - Themes, motives - 21st century -
標題:
Visual perception in art -
附註:
Includes bibliographical references
摘要註:
Featuring sculptural, sound-based, and language-based artworks, this fascinating volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art. New research addresses the paradox of why and how numerous sighted and unsighted artists, normally considered to be "visual artists" such as William Anastasi, Robert Morris, Joseph Grigely, and Lorna Simpson, have challenged the primacy of vision as a bearer of perceptual authority. Their work explores what resides on the other side of the visual field, prompting audiences to reflect upon the significance of what we cannot see, whether by choice, habit, or physiological limitations, in the world around us. In so doing, they point to ways of knowing beyond what can be observed with the eyes, as well as to the invisible forces (societal, political, cultural) that govern our own frameworks of experience
ISBN:
978-1-78551-165-3
Second sight : the paradox of vision in contemporary art
Tani, Ellen Y.
Second sight
: the paradox of vision in contemporary art / Ellen Y. Tani ; with contributions by Amanda Cachia ... [et al.] - Brunswick, Maine : Bowdoin College Museum of Art, 2018. - ix, 101 p. ; ill. (some col.), ports., photographs ; 26 cm..
Includes bibliographical references.
ISBN 978-1-78551-165-3
Art, AmericanVisual perception in art -- Themes, motives -- 21st century
Cachia, Amanda
Second sight : the paradox of vision in contemporary art
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Featuring sculptural, sound-based, and language-based artworks, this fascinating volume explores the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art. New research addresses the paradox of why and how numerous sighted and unsighted artists, normally considered to be "visual artists" such as William Anastasi, Robert Morris, Joseph Grigely, and Lorna Simpson, have challenged the primacy of vision as a bearer of perceptual authority. Their work explores what resides on the other side of the visual field, prompting audiences to reflect upon the significance of what we cannot see, whether by choice, habit, or physiological limitations, in the world around us. In so doing, they point to ways of knowing beyond what can be observed with the eyes, as well as to the invisible forces (societal, political, cultural) that govern our own frameworks of experience
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