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Praised and ridiculed : French paint...
~
Kunsthaus Zürich
Praised and ridiculed : French painting 1820-1880
紀錄類型:
書目-語言資料,印刷品 : 單行本
劃一題名:
Gefeiert und verspottet
副題名:
French painting 1820-1880
其他團體作者:
Kunsthaus Zürich
出版地:
Munich
出版者:
Hirmer; Kunsthaus Zürich;
出版年:
c2017
面頁冊數:
246 p.chiefly col. ill., ports. : 28 cm.;
標題:
Painting, French - 19th century -
附註:
Catalog of an exhibition held at the Kunsthaus Zürich, November 10, 2017-January 28, 2018
摘要註:
In the juxtaposition of so-called 'Salon painters' and 'Reformers of painting' this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres. Romanticism, Realism, Impressionism -- these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time Delacroix, Courbet, Manet and many others left the 'straight and narrow' of painting, the academic-neo-classical manner. Highly controversial at the time, today these painters are celebrated worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly regarded at the time. Today they have been consigned to the fringes, especially in the German-speaking region -- unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time. Exhibition: Kunsthaus Zürich, Switzerland (10.11.2017-28.01.2018)
ISBN:
978-3-7774-2946-5
Praised and ridiculed : French painting 1820-1880
Praised and ridiculed
: French painting 1820-1880 / [editor, Zürcher Kunstgesellschaft / Kunsthaus Zürich ; translations from German, Philippa Hurd ... [et al.]] - Munich : Hirmer, c2017. - 246 p. ; chiefly col. ill., ports. ; 28 cm..
Catalog of an exhibition held at the Kunsthaus Zürich, November 10, 2017-January 28, 2018Includes bibliographical references (p. 231-236).
ISBN 978-3-7774-2946-5
Painting, French -- 19th century
Praised and ridiculed : French painting 1820-1880
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In the juxtaposition of so-called 'Salon painters' and 'Reformers of painting' this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres. Romanticism, Realism, Impressionism -- these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time Delacroix, Courbet, Manet and many others left the 'straight and narrow' of painting, the academic-neo-classical manner. Highly controversial at the time, today these painters are celebrated worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly regarded at the time. Today they have been consigned to the fringes, especially in the German-speaking region -- unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time. Exhibition: Kunsthaus Zürich, Switzerland (10.11.2017-28.01.2018)
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