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Ruins, nostalgia and ugliness : five...

Perpinyà, Núria (1961-)

Ruins, nostalgia and ugliness : five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and avant-garde oddity

紀錄類型:	書目-語言資料,印刷品 : 單行本
副題名:	five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and avant-garde oddity
作者:	PerpinyàNúria, 1961-
出版地:	Berlin
出版者:	Logos Verlag Berlin;
出版年:	c2014.
面頁冊數:	123 p.col. ill. : 24 cm.;
標題:	Medievalism in literature. -
標題:	Middle Ages in literature. -
標題:	Romanticism. -
摘要註:	"Núria Perpinyà thinks that we have at least ten different perceptions of medieval period. This book analyse the Romantic visions of the Middle Ages and their visionary resurrections. Theviews indicate the chivalrous, religious, nationalist and fantastic aims of European Romantics. The discourse of failure represented by ruins counterpoints the epic discourse of chivalry's success. Ruins are more than the embellishment of a minor genre (the Picturesque); they are the source of contemporary ugliness and fragmentarism of Avant-garde. In the 20th and 21st centuries, ruins were associated with destruction whereas in the 18th and 19th centuries, they represented melancholy. Ruins, Nostalgia and Ugliness is a comparative research of Reception Aesthetics. In this essay Núria Perpinyà observes the synchronies and differences between European Romantic writers by comparing them with contemporary musicians and painters, which are not determined by their nations, but by their aesthetics and ideologies, whose common denominator is exaggeration. Romantic medievalism is not based on eroticism or scholasticism, but on chivalry, folklore, politics, religion, mystery and populism." -- Publisher's description.
ISBN:	9783832537944
內容註:	Introduction. 1. The Renaissance against the Gothic, the Enlightenment against Romanticism, the Avant-garde against realism -- 2. Five Romanticisms and ten images of the Middle Ages A. European Romantic perception of the Middle Ages: Nationalism and the Picturesque -- 1. Picturesque Romanticism -- 2. Nationalist Romantic medievalism -- B. The European Romantic perception of the Middle Ages: ruins as a source of nostalgia -- 3. Heroic and poetic Romantic medievalism -- 4. Nostalgic Romantic medievalism: castles and abbeys in ruins -- 5. Dark Romantic medievalism -- C. Romantic ruins as a precedent of avant-garde ugliness.

Ruins, nostalgia and ugliness : five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and avant-garde oddity
Perpinyà, Núria

Ruins, nostalgia and ugliness : five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and avant-garde oddity / Núria Perpinyà. - Berlin : Logos Verlag Berlin, c2014.. - 123 p. ; col. ill. ; 24 cm..
Introduction. 1. The Renaissance against the Gothic, the Enlightenment against Romanticism, the Avant-garde against realism -- 2. Five Romanticisms and ten images of the Middle Ages.
Includes bibliographical references..
ISBN 9783832537944ISBN 3832537945
Medievalism in literature.Middle Ages in literature.Romanticism.

Ruins, nostalgia and ugliness : five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and avant-garde oddity
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215 1 $a 123 p. $c col. ill. $d 24 cm.
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330 $a "Núria Perpinyà thinks that we have at least ten different perceptions of medieval period. This book analyse the Romantic visions of the Middle Ages and their visionary resurrections. Theviews indicate the chivalrous, religious, nationalist and fantastic aims of European Romantics. The discourse of failure represented by ruins counterpoints the epic discourse of chivalry's success. Ruins are more than the embellishment of a minor genre (the Picturesque); they are the source of contemporary ugliness and fragmentarism of Avant-garde. In the 20th and 21st centuries, ruins were associated with destruction whereas in the 18th and 19th centuries, they represented melancholy. Ruins, Nostalgia and Ugliness is a comparative research of Reception Aesthetics. In this essay Núria Perpinyà observes the synchronies and differences between European Romantic writers by comparing them with contemporary musicians and painters, which are not determined by their nations, but by their aesthetics and ideologies, whose common denominator is exaggeration. Romantic medievalism is not based on eroticism or scholasticism, but on chivalry, folklore, politics, religion, mystery and populism." -- Publisher's description.
606 $a Medievalism in literature. $2 lc $3 351545
606 $a Middle Ages in literature. $2 lc $3 351546
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