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Chromatic algorithms : synthetic col...
~
Kane, Carolyn L.
Chromatic algorithms : synthetic color, computer art, and aesthetics after code
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
synthetic color, computer art, and aesthetics after code
作者:
KaneCarolyn L.,
出版地:
Chicago
出版者:
The University of Chicago Press;
出版年:
c2014
面頁冊數:
343 p.col. ill. : 27 cm.;
標題:
Aesthetics, Modern - 20th century -
標題:
Aesthetics, Modern - 21st century -
標題:
Art and technology -
標題:
Color -
標題:
Computer art -
附註:
Includes bibliographical references and index
ISBN:
978-0-22-600273-6
內容註:
How color became code Chromatic visions (400 B.C.-1969) Colors sacred and synthetic Classical and modern color: Plato through Goethe Industrial color: synthetics through day-glo psychedelics Synthetic color in video synthesis Disciplining color: encounters with number and code (1965-1984) Informatic color and aesthetic transformations in early computer art Collaborative computer art and experimental color systems From chromakey to the alpha channel "Transparent" screens for opaque ontology (1984-2007) Digital infrared as algorithmic lifeworld The photoshop cinema Postscript: a new dark age
Chromatic algorithms : synthetic color, computer art, and aesthetics after code
Kane, Carolyn L.
Chromatic algorithms
: synthetic color, computer art, and aesthetics after code / Carolyn L. Kane - Chicago : The University of Chicago Press, c2014. - 343 p. ; col. ill. ; 27 cm..
How color became code.
Includes bibliographical references and index.
ISBN 978-0-22-600273-6ISBN 0-22-600273-X
Aesthetics, ModernAesthetics, ModernArt and technologyColorComputer art -- 20th century -- 21st century
Chromatic algorithms : synthetic color, computer art, and aesthetics after code
LDR
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Classical and modern color: Plato through Goethe
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Synthetic color in video synthesis
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Disciplining color: encounters with number and code (1965-1984)
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Informatic color and aesthetic transformations in early computer art
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Collaborative computer art and experimental color systems
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From chromakey to the alpha channel
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"Transparent" screens for opaque ontology (1984-2007)
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Digital infrared as algorithmic lifeworld
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The photoshop cinema
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