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Shakespeare's stage traffic : imitat...

Clare, Janet (1954-)

Shakespeare's stage traffic : imitation, borrowing and competition in Renaissance theatre

紀錄類型:	書目-語言資料,印刷品 : 單行本
副題名:	imitation, borrowing and competition in Renaissance theatre
作者:	ClareJanet, 1954-
出版地:	Cambridge
出版者:	Cambridge University Press;
出版年:	2014.
面頁冊數:	xi, 305 p.24 cm.;
標題:	English drama - History and criticism - Early modern and Elizabethan, 1500-1600 -
標題:	Influence (Literary, artistic, etc.) -
標題:	Imitation in literature -
標題:	Shakespeare, William - Criticism and interpretation -
摘要註:	"Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception"--
ISBN:	9781107040038
內容註:	Introduction -- 1. Troublesome reigns -- 2. Deposing kings -- 3. Cross-cultural comedy -- 4. Competing dramaturgies: later comedy -- 5. Medley history -- 6. Hamlet and the 'humour of children' -- 7. Conversion: from Elizabethan to Jacobean theatre -- 8. Generic transformations -- Afterword

Shakespeare's stage traffic : imitation, borrowing and competition in Renaissance theatre
Clare, Janet

Shakespeare's stage traffic : imitation, borrowing and competition in Renaissance theatre / Janet Clare - Cambridge : Cambridge University Press, 2014.. - xi, 305 p. ; 24 cm..
Introduction -- 1. Troublesome reigns -- 2. Deposing kings -- 3. Cross-cultural comedy -- 4. Competing dramaturgies: later comedy -- 5. Medley history -- 6. Hamlet and the 'humour of children' -- 7. Conversion: from Elizabethan to Jacobean theatre -- 8. Generic transformations -- Afterword.
Includes bibliographical references (p. 268-294) and index.
ISBN 9781107040038ISBN 1107040035
English dramaInfluence (Literary, artistic, etc.)Imitation in literature -- History and criticism -- Early modern and Elizabethan, 1500-1600

Shakespeare's stage traffic : imitation, borrowing and competition in Renaissance theatre
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330 $a "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception"--
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