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Court poetry in late medieval Englan...
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Hasler, Antony
Court poetry in late medieval England and Scotland : allegories of authority
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
allegories of authority
作者:
HaslerAntony,
出版地:
Cambridge
出版者:
Cambridge University Press;
出版年:
2011
面頁冊數:
x, 253 p.24 cm.;
集叢名:
Cambridge studies in medieval literature80
標題:
Authority in literature -
標題:
English poetry - History and criticism - Early modern, 1500-1700 -
標題:
Political poetry, English - History and criticism -
標題:
Politics and literature - History - England - 16th century -
標題:
Politics and literature - History - Scotland - 16th century -
電子資源:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-b.html
電子資源:
http://assets.cambridge.org/97805218/09573/cover/9780521809573.jpg
電子資源:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-d.html
電子資源:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-t.html
附註:
Includes bibliographical references (p. 217-242) and index
摘要註:
"This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"--Provided by publisher
ISBN:
978-0-521-80957-3
內容註:
Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories The Bowge of Courte and the birth of the paranoid subject "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes Mapping Skelton: "Esebon, Marybon, Wheston next Barnet"
Court poetry in late medieval England and Scotland : allegories of authority
Hasler, Antony
Court poetry in late medieval England and Scotland
: allegories of authority / Antony J. Hasler - Cambridge : Cambridge University Press, 2011. - x, 253 p. ; 24 cm.. - (Cambridge studies in medieval literature ; 80).
Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories.
Includes bibliographical references (p. 217-242) and index.
ISBN 978-0-521-80957-3ISBN 0-521-80957-6
Authority in literatureEnglish poetryPolitical poetry, EnglishPolitics and literaturePolitics and literature -- History and criticism -- History and criticism -- History -- History -- England -- Scotland -- Early modern, 1500-1700 -- 16th century -- 16th century
Court poetry in late medieval England and Scotland : allegories of authority
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The Bowge of Courte and the birth of the paranoid subject
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"My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems
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Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour
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Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes
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Mapping Skelton: "Esebon, Marybon, Wheston next Barnet"
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"This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"--Provided by publisher
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