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Visuality and virtuality : images an...
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Davis, Whitney
Visuality and virtuality : images and pictures from prehistory to perspective
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
images and pictures from prehistory to perspective
作者:
DavisWhitney,
出版地:
Princeton
出版者:
Princeton University Press;
出版年:
c2017
面頁冊數:
xiii, 350 p.ill. : 27 cm.;
標題:
Visual perception in art -
附註:
Includes bibliographical references and index
摘要註:
A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis's acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality - the depiction intended by its maker to be seen - emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the 1st step of the art historian's craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including "bivisibility" (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases - Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi
ISBN:
978-0-691-17194-4
內容註:
Introduction : Images and pictures Analytics of imaging pictures in visual space. Visuality and virtuality : Analytics of visual space and pictorial space Radical pictoriality : seeing-as, seeing-as-as, seeing-as-as-as ... What the Chauvet Master saw : on the presence of prehistoric pictoriality Bivisibility, bivirtuality, and birotationality. Bivisibility : between the successions to visuality Bivirtuality : pictorial naturalism and the revolutions of rotation Birotationality: frontality, foreshortening, and virtual pictorial space Pictorial successions of virtual coordinate space. What Hesire saw : virtual coordinate space in ancient Egyptian depiction What Phidias saw : virtual coordinate space in Classical Greek architectural relief What Brunelleschi saw : the pictorial succession of painter's perspective
Visuality and virtuality : images and pictures from prehistory to perspective
Davis, Whitney
Visuality and virtuality
: images and pictures from prehistory to perspective / Whitney Davis - Princeton : Princeton University Press, c2017. - xiii, 350 p. ; ill. ; 27 cm..
Introduction : Images and pictures.
Includes bibliographical references and index.
ISBN 978-0-691-17194-4
Visual perception in art
Visuality and virtuality : images and pictures from prehistory to perspective
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What Phidias saw : virtual coordinate space in Classical Greek architectural relief
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A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis's acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality - the depiction intended by its maker to be seen - emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the 1st step of the art historian's craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including "bivisibility" (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases - Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi
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