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Artemisia Gentileschi : the language...
~
Gentileschi, Artemisia (1593-1652 or 1653)
Artemisia Gentileschi : the language of painting
紀錄類型:
書目-語言資料,印刷品 : 單行本
副題名:
the language of painting
作者:
LockerJesse,
出版地:
New Haven
出版者:
Yale University Press;
出版年:
c2015
面頁冊數:
x, 236 p.ill. (some col.) : 26 cm.;
標題:
Painting, Italian - Criticism and interpretation - 17th century -
標題:
Women painters - Italy - 17th century -
標題:
Gentileschi - Artemisia - Criticism and interpretation -
附註:
Includes bibliographical references (p. 219-230) and index
摘要註:
"This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia's later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia's paitnigns, Locker agrues for her important place in the cutlural dialogue of the seventeenth century." -- Inside front dustjacket flap
ISBN:
978-0-300-18511-9
內容註:
Introduction Artemisia, Spain, and the Maniera devota Nova Thalia: Artemisia and the Venetian academies Artemisia in the eyes of the Neapolitan poets L'immagine dell'autrice: Artemisia's self-portraits revisited L'immortale Artemisia and her eighteenth-century biographers Postscript
Artemisia Gentileschi : the language of painting
Locker, Jesse
Artemisia Gentileschi
: the language of painting / Jesse M. Locker - New Haven : Yale University Press, c2015. - x, 236 p. ; ill. (some col.) ; 26 cm..
Introduction.
Includes bibliographical references (p. 219-230) and index.
ISBN 978-0-300-18511-9ISBN 0-300-18511-1
Painting, ItalianWomen painters -- Criticism and interpretation -- Italy -- 17th century -- 17th century
Artemisia Gentileschi : the language of painting
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Introduction
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Artemisia in the eyes of the Neapolitan poets
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"This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia's later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia's paitnigns, Locker agrues for her important place in the cutlural dialogue of the seventeenth century." -- Inside front dustjacket flap
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